Weirdly enough, I felt submerged by the very end of the song, as if the mixing had become perfect at that moment (that is, from 2:20 through the end, but more intensely from 2:28 to 2:32). I think that because the volume is lower at this point of the song, you have more control over the whole thing, and then you can more easily adjust the proportion of the instrument volumes.
On another tone (there's one or two other comments pointing this out) I was less moved by the second drop. I think it's because the drum is less "kicking hard" at this point than in the first drop, which leaves a less powerful impression. In the end I can appreciate this part of the song, but I still find it a little bit hard to make sense of, to be honest.
Anyways, I found this song (and also your more recent work) really interesting. I never heard your work before, and it just contributed to my "inspiration tank": thanks for that :)